CURRENTLY OPEN FOR SUBMISSIONS

Submissions for the Winter 2018 issue will remain open until December 15th

Please scroll down for links to each genre


FOR ALL SUBMISSIONS

Please include a brief bio, social media info, and an email address. Simultaneous submissions are accepted, but please withdraw if accepted elsewhere.


All rights revert to the author upon publication. Please credit SANTA ANA RIVER REVIEW in future publications.


FICTION

Maximum 5,000 words

Submit double-spaced .doc or .docx attachment.

Novel excerpts must be self-contained.

Send us that story you've always wanted to see in print for all the world to read. The one with the characters you love, where the writing pops off the page. We love to be surprised, and we'll give it a solid read, we promise. 


NON-FICTION

Maximum 6,000 words

Submit double-spaced .doc or .docx attachment.

For non-fiction, we're looking for essays and memoirs that have a revelatory angle — not simply recounting situations or events, but showing how these events change the narrator's life; this can be something as small as an important realization or as large as a major life shift. We're looking for past events that bump us up against future events, and reveal the depth of human experience. We're open to any subject as long as there is a clear personal narrative arc. 


POETRY

Up to 4 poems, 10 pages maximum

Submit .pdf attachment.

If these poems are part of a greater project, please include a line about that in your cover letter. We especially encourage people of color, LGBTQ, and all underrepresented groups to submit. We look forward to reading your poetry.


DRAMATIC WORKS

Ten-minute play maximum (12 pages or less)

Submit in .doc or .docx attachment.

Diverse writers encouraged (women, POC, LGBTQ).

Since this is print and not production, writers are encouraged to be as creative as they wish—with setting, characters, world, etc. Of course plays are meant to be seen, but these will be read, so writers should not feel constricted by the small-cast, single-location-set hell of “producible work.”

Previously produced plays are welcome; we do not accept previously published plays.


VISUAL ARTS

Up to 5 pieces

Upload in high resolution or 300 dpi for scanning photography.



Ends on December 15, 2017

Up to 5 pieces

Upload in high resolution or 300 dpi for scanning photography.

Ends on December 15, 2017

Up to 4 poems, 10 pages maximum

Submit .pdf attachment.

If these poems are part of a greater project, please include a line about that in your cover letter. We especially encourage people of color, LGBTQ, and all underrepresented groups to submit. We look forward to reading your poetry.

Ends on December 15, 2017

Ten-minute play maximum (12 pages or less)

Submit in .doc, .docx, or .pdf attachment.

Diverse writers encouraged (women, POC, LGBTQ).

Since this is print and not production, writers are encouraged to be as creative as they wish—with setting, characters, world, etc. Of course plays are meant to be seen, but these will be read, so writers should not feel constricted by the small-cast, single-location-set hell of “producible work.”

Previously produced plays are welcome; we do not accept previously published plays.

Ends on December 15, 2017

Maximum 5,000 words

Submit double-spaced .doc or .docx attachment.

Novel excerpts must be self-contained.

Send us that story you've always wanted to see in print for all the world to read. The one with the characters you love, where the writing pops off the page. We love to be surprised, and we'll give it a solid read, we promise.

Ends on December 15, 2017

Maximum 6,000 words

Submit double-spaced .doc or .docx attachment.

For non-fiction, we're looking for essays and memoirs that have a revelatory angle — not simply recounting situations or events, but showing how these events change the narrator's life; this can be something as small as an important realization or as large as a major life shift. We're looking for past events that bump us up against future events, and reveal the depth of human experience. We're open to any subject as long as there is a clear personal narrative arc.